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“VariCam users now have a tool that shows them the precise exposure levels of different areas in their frame, allowing them to see exactly where under or overexposure is occurring.
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With the free upgrade, cinematographers will have more flexibility to correct problematic shots, match shots to others and achieve highly stylized or cinematic looks in post. EL Zone can be used in the following color modes: V-Log, V-709 and V-Look1 and V-Look2 (V-Look 1 and 2 are available for the LT only).

This advanced exposure tool is now available for the VariCam LT and VariCam 35 4K HDR cinema cameras. And simply assigning EL Zone to a camera user button allows the exposure map tool to be turned on or off.
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With the tool, setting skin tones for light or dark skin is in plus or minus ½ to 1 stop increments above and below 18% gray.
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“The tool is easy to use, and the color codes are arranged to be easy to remember.”įor example, in EL Zone, 18% gray shows up as gray, complete overexposure shows up as white (no detail remains) and full underexposure shows up as black (no detail remains). This new system offers 15 delineated steps that help map out the camera’s full exposure range. “Unlike false color methods that have limited steps and are IRE %-based, EL Zone is an intuitive stop-based system that relates one-to-one with lens F-stops and light meters,” explains Panasonic’s Mike Bergeron. The new EL Zone exposure map tool was created by Oscar-nominated cinematographer Ed Lachman, ASC, who has shot such award-winning films as Erin Brockovich, Far from Heaven and Carol. To assist in the shooting process and to provide even more precise exposure control, Panasonic has released a new exposure map tool called “EL Zone” as part of its VariCam firmware Version 9.0 update. Whether shooting a movie, live concert or sporting event, cinematographers are tasked with the challenge of delivering exceptional image quality in all aspects of filming to keep audiences engaged.
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Originally, this workflow was reserved only for large movie productions, but with Colourlab Ai’s toolset, a this workflow became simplified and accessible for all types of productions. In addition to look development and shot matching, Colourlab Ai can be used as the backbone of a simplified color managed workflow approach. While traditional Color Science is focused on image processing, Colourlab Ai builds on discoveries in the neuro-scientific field, focusing on the impact that color has on our mind and emotions. Colourlab Ai is the culmination of years of research into human color perception. NDI support also offers the ability to stream the Colourlab Ai viewer to any device, in any location via Zoom, Skype, OBS or any NDI-supported streaming platform such as SetStream.io.Ĭolourlab Ai is currently MacOS-only and available for subscription for $49 per month or $490 annually.
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Colourlab Ai’s implementation of EL Zone allows users to quickly evaluate and control exposure for more than 20 different camera types.Ĭolourlab Ai 1.3 also adds HDR waveforms, a new dual-view vectorscope, and new 3D LUT export and conversion functionality to assist look control further.Īnother key feature in this update is NDI support, which now allows Colourlab Ai users to take advantage of ScopeBox and Nobe OmniScope on a single Mac computer. This monitoring method helps because it works across all display devices and so brigs consistency between SDR and HDR masters. By measuring light value in stops inside color grading, the application allows scene-referred monitoring, which was possible only through the use of light meters on-set. Thanks to Colourlab Ai features like Ai Reference image match, color management and extensive film emulation functions of Look Designer, the process of s LUT design has been simplified and made more intuitive, giving DPs a more streamlined way to design and develop their own show LUTs.Ĭolourlab Ai offers the EL Zone system, developed by Ed Lachman, ASC, an intuitive tool for displaying exposure values using stops, a universal standard for cinematography. In a quest to add character and individuality to images created by modern digital film cameras, a show LUT has become one of the cinematographers’ most essential tools. Ever since its initial release, Colourlab Ai has been increasingly adopted by cinematographers and filmmakers for its ability to create a show LUT. Colourlab Ai has released its 1.3 version update with features and improvements targegting cinematographers.
